Somewhere along the way someone asked what it meant when Simon Denny was called a ‘post -internet’ artist. Now we know. The difference between artists who grew up before the internet and those who didn't is starting to become a little more apparent. It is only possible for Simon Denny, living in Berlin, to keep right up to date with NZ politics and culture post internet. Pre (say) the early nineties, when you went overseas (as we called it) NZ faded away into a few letters from the folks and out of date newspapers. Now someone like Denny can get as much information as those of us on home ground and, as we have seen, information is his stock in trade. The result of his intense curiosity and his current focus on NZ has led him into the spectacular media trifecta of Dotcom, Five Eyes and Nicky Hager. All three are intimately intertwined in ways that only digital media could deliver. The recent pic of Dotcom snapping a selfie at the Waihopai listening station only needed Hager in shot to be picture perfect. Now stir in Hager’s relationship with the hacker drip feeding #dirtypolitics emails off Dotcom’s Megaupload cloud and it's all too good to be true for any self-respecting post-internet artist. The only person not playing the game is John Key. By bringing the election forward a month, he's possibly deprived Denny’s next exhibition The Personal Effects of Kim Dotcom of some valuable publicity.
Image: Nicky Hager and Dotcom at Waihopai (thanks Photoshop)
Image: Nicky Hager and Dotcom at Waihopai (thanks Photoshop)