This morning’s Dominion Post announced “A Grahame Sydney painting has sold for a record price at an auction in Wellington.” Well, not really at auction. At auction the Sydney painting stalled at $125,000. It was the following day in an art dealer type negotiation that the work was sold for $160,000. Given the commissions involved it looks like the auctioneers extracted a further $24,000 from the top bidder who had already got up to $136,000 on the night (who knows if Sloanes took a further commission hit to sweeten the final sale).
No wonder most auction houses are easing their way into art dealer territory with what they call (in a kind of Victorian way) private treaty sales sales outside the auction process. It’s a rock and a hard place: lower estimates (the sellers don’t like that) or cut-price deals when the public auction is over. Given the high demand for fresh-to-market items and risk that a work can become badly tainted if it doesn't sell at auction the first time round the choices are not easy.
No wonder most auction houses are easing their way into art dealer territory with what they call (in a kind of Victorian way) private treaty sales sales outside the auction process. It’s a rock and a hard place: lower estimates (the sellers don’t like that) or cut-price deals when the public auction is over. Given the high demand for fresh-to-market items and risk that a work can become badly tainted if it doesn't sell at auction the first time round the choices are not easy.