Showing posts with label gehry. Show all posts
Showing posts with label gehry. Show all posts

Wednesday, July 13, 2016

If you build them….

Ever wondered what a full-sized ocean liner might look like inside a building? If that’s the sort of thing you crave, head over to OTNARCHITECTURE where we have put up some new buildings, including Zaha Hadid’s Library and Learning Centre in Vienna. There are also a couple of modernist masterpieces: Mies van der Rohe’s iconic Villa Tugendhat that was built between 1928 and 1930 in Brno in the Czech Republic and Adolf Loos’s 1930 Villa Müller in Prague. Plus we got a look at the more recent Dancing House in Prague, a collaboration between the Croatian–Czech architect Vlado Milunić and Frank Gehry from 1996.

Images: top left, Villa Tugendhat and right, Villa Müller. Bottom left, Dancing House and right, the Library and Learning Centre University of Economics in Vienna

Monday, June 29, 2015

To be perfectly Frank

Just when you think you never want to see another ‘iconic’ Frank Gehry building, he comes up with a truly great one. This time it's the Fondation Louis Vuitton that is the lucky recipient. It’s a spectacular destination building of glass and steel, concrete and wood looming over the Bois de Boulogne but also a building of thoughtfully proportioned gallery spaces, subtle pacing and a sophisticated flow between inside and outside throughout the building This culminates in an extraordinary series of ramparts and bastions on the roof with great views of Paris and plenty of room to sit down or for kids to muck around. And there’s some terrific art to be seen too. A set of huge Andreas Gursky photographs that are so poised inside the classical figurative tradition that it’s hard to believe they show pit teams swarming Formula 1 race cars. And lots of video of course from Christian Marclay’s explosive Crossfire to Sturtevant’s Elastic Tango which had people dancing in the gallery (literally). We’ve put up probably more photographs than is really necessary here on OTNARCHITECTURE.