Last night Charles Esche gave the Walters Prize to Luke Willis Thompson. As previewed in his talk the night before, Esche took a particular liking to the works that were in his words “tentative, quizzical and modest” and that existed outside the traditional gallery context (Leach, Thompson, ‘Uhila). He found Thompson’s winning taxi ride and the interaction with his family to be overwhelming in its “uncertainty, unease, anticipation and privilege.” Unfortunately Simon Denny, the only artist to exhibit physical works in the gallery, was misunderstood by Esche who mistook Denny’s work as a megaphone rather than the mirror it is. Still, a great result and exciting for Hopkinson Mossman who are now celebrating the second artist in their line-up to win in a row.
Image: top, Luke Willis Thompson and bottom the ride to the family home
Image: top, Luke Willis Thompson and bottom the ride to the family home