End game

“I look at artists like a commodity balance sheet. I like to know the age of the artist, how long he was been painting, how many he does a year, how many come up at auction and the frequency, are the prices coming within the estimate or above or below, what the thresholds are, how each year the price has moved.”

Art-as-commodity dealer Olyvia Kwok talks about making money off the top end of the art market in the London Evening Standard